Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.
“They say things – try to kid you – no, I don’t like the Rolling Stones.”
~Bob Dylan (18 April 1966)
“The Rolling Stones? Who else has come through? Mick Jagger and Keith Richard have come through the same fire that I’ve come through.”
~Bob Dylan (to Robert Shelton, June 1978)
The Stones were at the top of their game in 1973… one of the best tours ever.On Feb 24 1973 they played Western Australia Cricket Ground in Perth, Australia, and a great sounding “stereo soundboard” bootleg turned up.. in 1987.
The Rolling Stones Pacific Tour 1973
Associated album
Exile on Main St.
Start date
18 January 1973
End date
27 February 1973
Legs
2
Shows
14
The Rolling Stones Pacific Tour 1973 was a concert tour of countries bordering the Pacific Ocean in January and February 1973 by The Rolling Stones. The tour is sometimes referred to as the Winter Tour 1973. However this title is misleading, as much of it took place in the Southern Hemisphere, where it was summer at the time.
Ladies and Gentlemen: The Rolling Stones is a concert movie featuring the British rock band The Rolling Stones that was first released in 1974. Directed by Rollin Binzer and produced by Binzer and Marshall Chess, it was filmed in 16mm by Bob Freeze and Steve Gebhardt of Butterfly Films owned by John Lennon during four shows in Fort Worth and Houston, Texas, during the band’s 1972 North American Tour in support of their classic 1972 album Exile on Main St.
This is the BEST Rolling Stones concert video!
The best bootleg concert might be “Brussels Affair” (Brussels, 17 October 1973), now officially released @ stonesarchievestore.com, but the best video is this one.
It was released on Blu-ray in 2010:
Prior to 2010, after initial showings in 1974 the movie was only commercially available in the early 1980s in Australia on VHS by Video Classics, of which bootleg copies had since been circulated. ……… On 16 September 2010, a digital re-mastered version of Ladies and Gentlemen: The Rolling Stones was shown in select theaters in the United States, presented by Omniverse Vision, Eagle Rock Entertainment and NCM Fathom. Re-mastered in HD digital, the film also features an introduction by Mick Jagger, interviewed in summer 2010 at the London Dorchester Hotel. This segment features Jagger reflecting on memories of the tour during this legendary time, and the status of The Rolling Stones. This film was released at selected Showcase Cinemas in UK the following day, on Friday 17 September 2010. On 12 October 2010, it was issued on DVD and Blu-ray. Supplements to the concert footage includes tour rehearsal footage from the Montreux Jazz Festival, a 1972 Old Grey Whistle Test interview with Mick Jagger, and a 2010 interview with Mick Jagger.
FANTASTIC stuff.. from the BEST band in the world! .. here goes..
Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971
While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)
#1 – Brown Sugar:
Wikipedia:
Released
23 April 1971
Recorded
2–4 December 1969, Muscle Shoals Sound Studio, Sheffield, Alabama; 17 February, March – May, 16 June – 27 July, 17–31 October 1970, and January 1971,Olympic Studios, London, UK; except “Sister Morphine”, begun 22–31 March 1969
Genre
Rock
Length
46:25
Language
English
Label
Rolling Stones
Producer
Jimmy Miller
Sticky Fingers is the ninth British and 11th American studio album by English rock band The Rolling Stones, released in April 1971. It is the band’s first album of the 1970s and its first release on the band’s newly formed label, Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is also Mick Taylor’s first full-length appearance on a Rolling Stones album, the first Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones and the first one on which Mick Jagger is credited with playing guitar.
The album is often regarded as one of the Stones’ best, containing songs such as the chart-topping “Brown Sugar” and the folk-influenced “Wild Horses”, and achieving triple platinum certification in the US.
Spanish Cover
#3 – Wild Horses:
During the tour of the States we went to Alabama and played at the Muscle Shoals Studio. That was a fantastic week. We cut some great tracks, which appeared on Sticky Fingers – You Gotta Move, Brown Sugar and Wild Horses – and we did them without Jimmy Miller, which was equally amazing. It worked very well: it’s one of Keith’s things to go in and record while you’re in the middle of a tour and your playing is in good shape. The Muscle Shoals Studio was very special, though – a great studio to work in, a very hip studio, where the drums were on a riser high up in the air, plus you wanted to be there because of all the guys who had worked in the same studio.
~Charlie Watts in 2003
Recording:
Although sessions for Sticky Fingers began in earnest in March 1970, The Rolling Stones had recorded at Muscle Shoals Studios in Alabama in December 1969 and “Sister Morphine”, cut during Let It Bleed’s sessions earlier in March of that year, was held over for this release. Much of the recording for Sticky Fingers was made with The Rolling Stones’ mobile studio unit in Stargroves during the summer and autumn of 1970. Early versions of songs that would appear on Exile on Main St. were also rehearsed during these sessions.
#9 – Dead Flowers:
To my mind the things that Ry (Cooder) plays on have a kind of polish that the Stones generally began to develop around that time. The rough edges came off a bit. Mick Taylor started putting on the polish that became the next period of the Stones out of the raw rock and blues band.
~Jimmy Miller in 1979
In 2003, Sticky Fingers was listed as #63 on Rolling Stone magazine’s 500 Greatest Albums of All Time.
Mick Jagger – lead vocals, acoustic guitar on “Dead Flowers” and “Moonlight Mile”, electric guitar on “Sway”, percussion on “Brown Sugar”
Keith Richards – electric guitar, six and twelve string acoustic guitar, backing vocals
Mick Taylor – electric, acoustic and slide guitar (not present during “Sister Morphine” sessions)
Charlie Watts – drums
Bill Wyman – bass guitar, electric piano on “You Gotta Move”
Additional personnel
Bobby Keys – saxophone
Jim Price – trumpet, piano on “Moonlight Mile”
Ian Stewart – piano on “Brown Sugar” and “Dead Flowers”
Nicky Hopkins – piano on “Sway”, “Can’t You Hear Me Knocking”
Jim Dickinson – piano on “Wild Horses”
Jack Nitzsche – piano on “Sister Morphine”
Ry Cooder – slide guitar on “Sister Morphine”
Billy Preston – organ on “Can’t You Hear Me Knocking” and “I Got the Blues”
Jimmy Miller – percussion on “Can’t You Hear Me Knocking”
Rocky Dijon – congas on “Can’t You Hear Me Knocking”
Paul Buckmaster – string arrangement on “Sway” and “Moonlight Mile”
Engineers – Glyn Johns, Andy Johns, Chris Kimsey, Jimmy Johnson
Cover concept/photography – Andy Warhol
We made (tracks) with just Mick Taylor, which are very good and everyone loves, where Keith wasn’t there for whatever reasons… People don’t know that Keith wasn’t there making it. All the stuff like Moonlight Mile, Sway. These tracks are a bit obscure, but they are liked by people that like the Rolling Stones. It’s me and (Mick Taylor) playing off each other – another feeling completely, because he’s following my vocal lines and then extemporizing on them during the solos.
~Mick Jagger in 1995
“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
– Mick Jagger
“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar – about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)
Brown Sugar is the opening track and lead single from their 1971 album Sticky Fingers. Rolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.
The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.
It is credited, like most of their songs, to Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.
Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):
This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.
Brown Sugar, Lyrics:
Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.
Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.
I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.
I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.
