Today: A Hard Days Night by The Beatles was released in 1964

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“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

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In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”

– Tom Ewing, Pitchfork

A Hard Day’s Night (Paris, 1965):

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I saw the movie before I bought the album, and the pictures roll before my eyes as I listen to the album. The film is a masterpiece and so is the album.
a-hard-days-night movie

“Considering the quality of the original material on With the Beatles, it shouldn’t have been a surprise that Lennon & McCartney decided to devote their third album to all-original material. Nevertheless, that decision still impresses, not only because the album is so strong, but because it was written and recorded at a time when the Beatles were constantly touring, giving regular BBC concerts, appearing on television and releasing non-LP singles and EPs, as well as filming their first motion picture. In that context, the achievement of A Hard Day’s Night is all the more astounding.”
– Allmusic (Stephen Thomas Erlewine)

It was my first Beatles album, and even if it has lost it’s top spot on my Beatles list, I love it dearly. It always makes me happy when i put it on.

John Lennon was the main contributor to the album. He wrote A Hard Day’s Night,  I Should Have Known Better, Tell Me Why, Any Time At All, I’ll Cry Instead, When I Get Home and You Can’t Do That.

He also wrote the majority of If I Fell and I’ll Be Back, and wrote I’m Happy Just To Dance With You with McCartney.

I Should Have Known Better (my favorite song on the album):

That doesn’t mean that Paul McCartney was  left off the record. He wrote the  ballads Things We Said Today plus And I Love Her , and lets not forget the lovely single Can’t Buy Me Love.

Can’t Buy Me Love:

As always the lines blur on some of the songs, but there are a lot of indications that this was the way the songs were composed, or rather, who wrote the songs.

“When we knew we were writing for something like an album John would write a few in his spare moments, like this batch here. He’d bring them in, we’d check ’em. I’d write a couple and we’d throw ’em at each other, and then there would be a couple that were more co-written. But you just had a certain amount of time.”
– Paul McCartney

A Hard Day’s Night is classic album that is a true testament to their collaborative writing powers, and, man, they had become a tight band!

– Hallgeir

Sources: Wikipedia, Allmusic, Pitchfork, John Lennon Interview with David Sheff in 1980, Many Years From Now by Barry Miles (book)

Today: Mavis Staples is 74 – Happy Birthday

Mavis Staples
Mavis Staples  was born July 10, 1939 in Chicago, Illinois she is an American rhythm and blues and gospel singer, actress and civil rights activist who recorded with The Staple Singers, her family’s band.

The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (b. 1936), and Mavis (b. 1939). They are best known for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”.

Biography from Allmusic (Rob Bowman):

She first recorded solo for Stax subsidiary Volt in 1969. Subsequent efforts included a Curtis Mayfield-produced soundtrack on Curtom, a disappointing nod to disco for Warner in 1979, a misguided stab at electro-pop with Holland-Dozier-Holland in 1984, and an uneven album for Paisley Park. Staples has a rich contralto voice that has neither the range of Aretha Franklin nor the power of Patti LaBelle. Her otherworldly power comes instead from a masterful command of phrasing and a deep-seated sensuality expressed through timbre manipulation.

Both the Staple Singers andMavis found fresh audiences stemming from their participation on the CD Rhythm Country and Blues, and in 1996 she issued Spirituals & Gospel: Dedicated to Mahalia Jackson. Her next recording project didn’t land for another eight years, although Have a Little Faith on Alligator became her highest-profile release in years. We’ll Never Turn Back appeared three years later in 2007.

Staples teamed up with Wilco’s Jeff Tweedy as producer for 2010’s You Are Not Alone, which won the 2011 Grammy Award in the category of Best Americana Album. One True Vine, released in 2013, was also produced by Tweedy and featured a mix of old and new songs written by the likes of George Clinton, Alan Sparhawk (Low), and Nick Lowe.

Mavis Staples with Jeff Tweedy

The Weight – The Band with The Staple Singers (from The Last Waltz):

Album of Today is Mavis’ fantastic new record, One True Vine:
one true vine

Other 10 July:
Continue reading Today: Mavis Staples is 74 – Happy Birthday

30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

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“Okay, The Allman Brothers Band…”
– the announcer

At Fillmore East – The Allman Brothers Band (1971)

At Fillmore East by The Allman Brothers Band is my number 18 on the countdown of the 30 best live albums in the world. It was the band’s breakthrough success, it was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time. It was one of 50 recordings chosen in 2004 by the Library of Congress to be added to the National Recording Registry. The song “Whipping Post” is part of the The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list

I love the way it presents all these different aspects of the blues, chicago- blues, Mississippi delta- blues, Texas-blues, Jazzy blues and monumental blues jams. It includes cover songs and original composition and the album is put together in a way that feels natural.

It was recorded at the Fillmore East concert hall on Friday and Saturday March 12, 1971 and March 13, 1971.

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2003 saw the release of a two-disc edition entitled At Fillmore East Deluxe Edition. It compiled all the released versions of the Fillmore material, some material from the collection Duane Allman: An Anthology and the Dreams box set, and remixed the material with a better soundstage than the 1992 release. That’s the one to get.

“The Allman Brothers had many fine moments at the Fillmores, and this live double album (recorded March 12th and 13th of this year) must surely epitomize all of them.”

– George Kimball (Review, Rolling Stone Magazine)

I need to include One Way Out from the rlease, The Fillmore Concerts. Just because it is so damn good, and would be a great addition to the original album.

It gives us Duane Allman’s tight slide guitar up against and weaving into Richard Betts’ round and loose lead guitar, it also has Dicky Betts’ best recorded guitar solo.

Whipping Post (Live Fillmore, 9/23/70):

The connection between the two lead guitarists and the two drummers is extraordinary! Also, listen to Barry’s bass lines, incredible, and Greg’s vocals (and jazzy organ) and you have band for the ages.

This album is for me, the crowning achievement of the ultimate southern-rock band.

We’ve posted this documentary before, but t is so good and give us such insight that everyone should see it again.

Sweet Home Alabama – The Story of southern Rock:

Continue reading 30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

The Rolling Stones – concerts, videos, albums & other

the rolling stones

 

This is a collection of published posts @ JV including videos & concerts by The Rolling stones.
It will be updated along the way..

Concerts:

Videos:

Albums & Singles:

Other:

 

Bob Dylan – It Ain’t Me Babe – Woodstock ‘94 – 14 August 1994 (Video)

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Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Never weak but always strong
To protect you an’ defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

Woodstock ‘94
Saugerties, New York
14 August 1994

For once, Dylan responds to the importance of the event by delivering a tight, powerful set.
~Clinton Heylin (A Life In Stolen Moments)

Musicians:

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Go lightly from the ledge, babe
Go lightly on the ground
I’m not the one you want, babe
I will only let you down
You say you’re lookin’ for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an’ more
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

Go melt back into the night, babe
Everything inside is made of stone
There’s nothing in here moving
An’ anyway I’m not alone
You say you’re lookin’ for someone
Who’ll pick you up each time you fall
To gather flowers constantly
An’ to come each time you call
A lover for your life an’ nothing more
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

bob dylan woodstock 1994

Check out:

-Egil