Tag Archives: Pete Seeger

Bob Dylan: Trail of The Buffalo (traditional)

December 10, 2017 Egil 4 Comments

Come round you old time cowboys, and listen to my song
Please do not grow weary, I will not detain you long
Concerning some young cowboy, who did agree to go
Spend the summer pleasantly on the trail of the buffalo
–

Well I wrote that song to the tune of Buffalo Skinner. An old cowboy song.
~Bob Dylan about “A Hard Rain’s A-Gonna Fall” (to Ray Coleman, May 1965)

From Wikipedia:

“The Buffalo Skinners”
The Hills of Mexico, “On the Trail of the Buffalo”
Music by	traditional
Language	English

“The Buffalo Skinners” (“The Hills of Mexico”) is a traditional American folk song. It tells the story of an 1873 buffalo hunt on the southern plains. According to Fannie Eckstorm, 1873 is correct, as the year that professional buffalo hunters from Dodge City first entered the northern part of the Texas panhandle. It is thought to be based on the song Canaday-I-O.

According to extensive research carried out by Jürgen Kloss in 2010-2012, this song is one of the many variants of John B Freeman’s ‘Buffalo Song’ .

Continue reading Bob Dylan: Trail of The Buffalo (traditional) →

Bob Dylan, Joan Baez, Willie Nelson

Bob Dylan – Great Duets part 6: American Depression

March 23, 2016 Hallgeir

A duet is a musical composition for two performers in which the performers have equal importance to the piece. It is often used to describe a composition involving two singers. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously.

Part1, Part2, Part3, Part4, Part5

Bob Dylan has done a lot of duets, we have collected some of our favourites and will present them in batches of three. Today we present three songs about how hard the life in America can be for people who struggle with poverty and tries to create a new life for themselves and their family. These are heartbreaking songs. Continue reading Bob Dylan – Great Duets part 6: American Depression →

Music Calendar

May 03 in music history

May 3, 2014 Egil


James Brown: born May 3, 1933 (read more)“Soul Brother Number One,” “the Godfather of Soul,” “the Hardest Working Man in Show Business,” “Mr. Dynamite” — those are mighty titles, but no one can question that James Brown earned them more than any other performer. Other singers were more popular, others were equally skilled, but few other African-American musicians were so influential over the course of popular music. And no other musician, pop or otherwise, put on a more exciting, exhilarating stage show: Brown’s performances were marvels of athletic stamina and split-second timing.” ~Richie Unterberger (allmusic.com)
Bob Dylan: 4th Slow Train Coming Recording Session, 3 May 1979 (read more) “Today I’m accused of being a follower of religion. But I’ve always been a follower! My thoughts, my personal needs have always been expressed through my songs; you can feel them there even in ‘Mr Tambourine Man’. When I write a song, when I make a record, I don’t think about whether it’ll sell millions of copies. I only think about making it, the musical end-product, the sound, and the rhythmic effect of the words. It’s purely a technical piece of work because the most important thing is to come out with something that’s perfect artistically. Even Charlie Chaplin used to say that and I respect him for that judgment.” ~Bob Dylan (to Sandra Jones – June 1981)
Peter “Pete” Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly’s “Goodnight, Irene”, which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture and environmental causes.
Dave Dudley (May 3, 1928 – December 22, 2003), born David Darwin Pedruska, was an American country music singer best known for his truck-driving country anthems of the 1960s and 1970s and his semi-slurred baritone. His signature song was “Six Days on the Road,” and he is also remembered for “Vietnam Blues,” “Truck Drivin’ Son-of-a-Gun,” and “Me and ol’ C.B.”. Other recordings included Dudley’s duet with Tom T. Hall, “Day Drinking,” and his own Top 10 hit, “Fireball Rolled A Seven,” supposedly based on the career and death of Edward Glenn “Fireball” Roberts.
“It Wasn’t God Who Made Honky Tonk Angels” (recorded: May 3 1952 Castle Studios – Nashville, Tennessee). Written by J. D. “Jay” Miller, and originally recorded by Kitty Wells. It was an answer song to the Hank Thompson hit “The Wild Side of Life.”The song — which blamed unfaithful men for creating unfaithful women — became the first No. 1 Billboard country hit for a solo female artist. In addition to helping establish Wells as country music’s first major female star, “It Wasn’t God…” paved the way for other female artists, particularly Dolly Parton, Patsy Cline, Loretta Lynn, and Tammy Wynette, and songs where women defied the typical stereotype of being submissive to men and putting up with their oft-infidel ways.
Bruce Springsteen: Shoreline Amphitheatre Mountain View,CA May 03, 1988 (read more)
Neil Young: New Orleans Jazz and Heritage Festival, May 03, 2009 (Videos)
Spotify Playlist – May 03

Film, folk

Video of the day: Pete Seeger The Power of Song full documentary

January 29, 2014 Hallgeir

pete_seeger

We were very saddened by the news of Pete Seeger’s passing just a few days ago. He was a huge influence on many of our singer-/songwriting favorites. We have dug up a very fine documentary from 2007, it’s a mix of interviews, archival footage and home movies illuminating his life and work.

It was shown on PBS ass part of their American Masters series, and Pete Seeger certainly fits the description of an American Master.

“Pete Seeger’s greatest gift was shepherding songs of peace and justice.”
– Bonnie Raitt

pete-seeger-the-power-of-song-movie-poster-2007-1020446099

In Pete Seeger: The Power of Song, Director Jim Brown documents the life of one of the greatest American singer/songwriters of the last century. Pete Seeger was the architect of the folk revival, writing some of its best known songs including Where Have All the Flowers Gone, Turn, Turn, Turn and If I Had A Hammer. Largely misunderstood and criticized for his strong beliefs he was picketed, protested, blacklisted, and, in spite of his enormous popularity, banned from commercial television for more than 17 years. Musicians including Bob Dylan, Arlo Guthrie, Joan Baez, Bonnie Raitt, Brice Springsteen, Natalie Maines, and Peter, Paul and Mary appear in this intimate portrait and discuss Seeger s lasting influence on the fabric of American music.
– from Amazon

Rest in Peace Pete Seeger, American Master.

Pete Seeger – The Power of Song (full documentary)

– Hallgeir

Bob Dylan, Bob Dylan - The songs he didn't write

Bob Dylan: Barbara Allen (traditional)

September 8, 2013 Egil 1 Comment

In Charlotte town, not far from here,
There was a fair maid dwellin.’
And her name was known both far and near,
And her name was Barb’ry Allen.

‘Twas in the merry month of May,
Green buds they were swellin’,
Poor William on his death-bed lay,
For the love of Barb’ry Allen.

–

…. And, you know, then the folk music, which I’d heard somewhat to a degree. I knew people that sung Barbara Allen and stuff like that. And I listened to all that music.
~Bob Dylan (to Nat Hentoff – Autumn 1965)

Wikipedia:

Written by	Traditional
Published	17th century (earliest known)
Language	English
Form	Broadside ballad and folksong

“Barbara Allen” (Child 84, Roud 54) is a traditional ballad originating in England and Scotland, which immigrants introduced to theUnited States, where it became a popular folk song. Roud and Bishop described it as, “…far and away the most widely collected song in the English language — equally popular in England, Scotland and Ireland, and with hundreds of versions collected over the years in North America.”

–

The story is a simple one. In “Scarlet Town,” a young man named Sweet William lies on his death bed and calls for Barbara Allen. He asks for her love; she coldly informs him that he is dying. There is some discussion over who slighted whom. She leaves and is smitten by remorse when she hears “the death bell knelling.” She asks her father to dig her grave. This done, she “will die for him tomorrow,” and buried next to Sweet William in the old churchyard, a rose that blossoms from his heart, and a briar that springs from hers, “grew and grew… till they twined a true love’s knot.”
~Lenny Kaye, liner notes for “O Love Is Teasin'” (Elektra 9 60402-1-U, 1985).

He sent his man down to town
To the place that she was dwellin’
Sayin’, “Master bids your company,
If your name is Barb’ry Allen.”

Oh slowly, slowly she got up
To the place where he was lyin’,
And when she pulled the curtain back,
Said, “Young man, I b’lieve you’re dying!”

Other notable versions

Joan Baez:

Pete Seeger:

Continue reading Bob Dylan: Barbara Allen (traditional) →

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