Tag Archives: Van Morrison

“These five young rebels are outrageously true to themselves. Defiant! Angry! Sad! They are honest to the point of insult!” (original liner notes)

The Angry Young Them is Them’s first album. The album was released in the UK on 11th of June 1965. The band’s lead singer and songwriter was of course Van “The Man” Morrison. He was with Them on only two albums before deciding to go solo.

The opening track Mystic Eyes was from an 8 or 9 minute jam originally, a long intense jam session in the studio with Van making the words up on the spur of the moment. Oh why didn’t they use the long take? Anyway, a good opener.

If You And I Could Be As Two is the next song and it opens with Van’s spoken voice talking (rather angrily) before this wonderful soul ballad continues. Then it is Little Girl which is about watching a 14-year-old (!) school girl on her way to school, not very acceptable these days but we need to remember that Van Morrison was only a teenager himself when he sang these words (still no excuse, I know).

Just A Little Bit by Roscoe Gordon is the next one out, Morrison sings great and it is my favorite song of the non Van Morrison penned tracks. Fantastic song!

Then we are in for the weakest track on the album, I Gave My Love a Diamond. That is not a put-down, because it’s a good sixties ballad, it just pales compared to the other songs on the album.

We then get Gloria. What can I say about this song that isn’t already said thousands of times? It is one of the best rock songs ever written, sung by one of the best vocalists in rock history. Ok? ok.

Gloria:

allmusic:

“And then there’s “Gloria,” rock’s ultimate ’60s sex anthem, and one of the handful of white-authored songs that can just about hold its own against any blues standard you’d care to name.”

Continue reading Today: Them released their debut album The Angry Young Them in 1965 →

Bob Dylan, Bob Dylan Concerts

Bob Dylan – Parc de Sceaux – Paris, France – 1 July 1984

March 9, 2013 Egil 5 Comments

And yet to have been present at the best of the 1984 shows (Paris, Barcelona, Vienna, Offenbach), particularly if one was somewhere towards the front of the sea of humanity, able to see the man and hear him, must have been an unforgettable experience. Here is Dylan offering himself – through his singing; he does almost no talking between songs – openly and enthusiastically and warmly.
… Paris (July 1) is my favorite show of the tour (based on the tapes).
~Paul Williams (BD Performing artist 1974-86)

Great 1984 show.

Concert #23 of the 1984 Europe Tour.

Check out -> Bob Dylan concerts @ JV

“There must be some way out of here,” said the joker to the thief
“There’s too much confusion, I can’t get no relief
Businessmen, they drink my wine, plowmen dig my earth
None of them along the line know what any of it is worth”

#3 – All Along The Watchtower

Continue reading Bob Dylan – Parc de Sceaux – Paris, France – 1 July 1984 →

Great albums, Sound, Van Morrison

Today: Them Again by Them was released in 1966

January 21, 2013 Hallgeir 1 Comment

Them Again is the second album by Them, lead by singer and songwriter Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts.

Released	21 January 1966 (UK), April 1966 (USA)
Genre	Rock
Length	48:21Decca (UK), Parrot PA 61008; PAS 71008 (USA)
Producer	Tommy Scott

It’s a great record and often overlooked and unfavourably compared to Them’s debut. It is allmost as good. You owe it to yourself to check it out.

Two of the original Van Morrison songs included on the album, “My Lonely Sad Eyes” and “Hey Girl”, can be seen as precursors to the poetic musings of Morrison’s later Astral Weeks album, released in 1968. “My Lonely Sad Eyes” begins with the words, “Fill me my cup, and I’ll drink your sparkling wine/Pretend that everything is fine, ’til I see your sad eyes.” The title implies that the sad eyes belong to the singer but the lyrics address the singer’s love interest. It reminds me of Rolling Stones at their most soulful.

My Lonely Sad Eyes:

The song “Hey Girl” has a pastoral feel to it, enhanced by the addition of flutes and in Brian Hinton’s opinion is a “dry run for ‘Cyprus Avenue'” from Astral Weeks.

Hey Girl:

Continue reading Today: Them Again by Them was released in 1966 →

Blues, folk, Music Calendar

Today: The late Huddie William Ledbetter (Lead Belly) was born in 1888 – 125 years ago

January 20, 2013 Egil

“The blues is like this. You lay down some night and you turn from one side of the bed to the other all night long. It’s not too cold in that bed, and it ain’t too hot. But what’s the matter The blues has got you.”
~Lead Belly

I heard Leadbelly somewhere and that’s what got me into folk music, which was exploding.
~Bob Dylan (Joe Smith interview 1988)

” Lead Belly was not an influence, he was the influence. If it wasn’t for him, I may never have been here. I don’t think he’s really dead. A lot of people’s bodies die but I don’t think their spirits die with them.
~Van Morrison

”Sang the blues wonderfully,but he was much bigger than that. He encompassed the whole black era, from square dance calls to the blues of the 30’s and 40’s”
~Alan Lomax

Huddie “Lead Belly” Ledbetter 1998 Folk Alliance International Lifetime Achievement Award Recipient:

The Midnight Special:

From Wikipedia

Birth name	Huddie William Ledbetter
Also known as	Lead Belly
Born	January 1888 Mooringsport, Louisiana, United States
Died	December 6, 1949 (aged 61) New York, New York, United States
Genres	Delta blues, songster, country blues
Occupations	Musician, songwriter
Instruments	Vocals, guitar, accordion, piano, lap steel guitar
Years active	1936–1949
Website	www.leadbelly.org

Huddie William Ledbetter (January 20, 1888 – December 6, 1949) was an iconic American folk and blues musician, and multi-instrumentalist, notable for his strong vocals, his virtuosity on the twelve-string guitar, and the songbook of folk standards he introduced.

Goodnight, Irene:

He is best known as Lead Belly. Though many releases list him as “Leadbelly“, he spelled it “Lead Belly”. This is also the usage on his tombstone, as well as of the Lead Belly Foundation. In 1994 the Lead Belly Foundation contacted an authority on the history of popular music, Colin Larkin, editor of the Encyclopedia of Popular Music, to ask if the name “Leadbelly” could be altered to “Lead Belly” in the hope that other authors would follow suit and use the artist’s correct appellation.

Although Lead Belly most commonly played the twelve-string, he could also play the piano, mandolin, harmonica, violin, and accordion. In some of his recordings, such as in one of his versions of the folk ballad “John Hardy”, he performs on the accordion instead of the guitar. In other recordings he just sings while clapping his hands or stomping his foot.

John Hardy (Accordion):

The topics of Lead Belly’s music covered a wide range of subjects, including gospel songs; blues songs about women, liquor, prison life, and racism; and folk songs about cowboys, prison, work, sailors, cattle herding, and dancing. He also wrote songs concerning the newsmakers of the day, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, the Scottsboro Boys, and Howard Hughes.

In 2008, Lead Belly was inducted into the Louisiana Music Hall of Fame.

Album of the day:

King of the 12-String Guitar (1991)

Other January 20:

Continue reading Today: The late Huddie William Ledbetter (Lead Belly) was born in 1888 – 125 years ago →

Bob Dylan, Bob Dylans's best songs

Bob Dylan’s best songs – Just Like A Woman – #23 – updated

January 18, 2013 Egil 9 Comments

No, no. I knew a lot of those people but I also know a lot of lesbians. They’re not going to ask me to join a lot of campaigns just because I wrote Just Like A Woman
~Bob Dylan (to Philip Fleishman, Feb 1978)

Well, that’s true, that’s true, I believe that. I believe that that feeling in that song [Just Like A Woman] is true and that I can grasp it, you know, when I’m singing it. But if you’re looking for true companion in a woman, I mean… I can’t stand to… to run with women anymore, I just can’t, it bothers me. I’d rather stand in front of a rolling train, y’know. But if you find a woman that is more than a companion, that is also your sister, and your lover and your mother, y’know, if you find all them ideas in one woman, well, then you got a companion for life. You don’t ever have to think about.
~Bob Dylan (to Matt Damsker, Sept 1978)

..a devastating character assassination..[it] may be the most sardonic, nastiest of all Dylan’s put-downs of former lovers.
~Alan Rinzler (quotet in Paul William’s “BD – Performing artist 1960-73)

@ #23 on my list of Dylan’s 200 best songs. The original version from “Blonde On Blonde” was recorded on March 8 – 1966.

“Blonde on Blonde” version:

spotify:

Musicians:

Bob Dylan (guitar, harmonica, vocal)
Charlie McCoy (guitar)
Robbie Robertson (guitar)
Wayne Moss (guitar)
Joe South (guitar, bass)
Al Kooper (organ)
Hargus “Pig” Robbins (piano)
Henry Strzelecki (bass)
Kenneth Buttrey (drums).

Continue reading Bob Dylan’s best songs – Just Like A Woman – #23 – updated →

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