Tag Archives: Clinton Heylin

Of the virtues, I suppose I think integrity is the most essential. Not dignity – a thief can have dignity.
~Bob Dylan (to Barbara Kerr, Feb 1978)
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‘Dignity’, which describes so resourcefully the yearning for a more dignified world, would have been the album’s [Oh Mercy] ideal opening track. It scorches along musically, declaring its allegiance to the timeless appeal of the blues, while sounding, above all things, fresh. Its lyric, meanwhile, though ‘Dylanesque’ in that it sounds like no-one else’s work and sounds like a restrained, mature revisit to a mode of writing you might otherwise call mid-1960s Dylan, is fully alert and freshly itself, admits of no leaning on laurels, and has the great virtue that while not every line can claim the workaday clarity of instructional prose, the song is accessible to anyone who cares to listen, and offers a clear theme, beautifully explored, with which anyone can readily identify.
~Michael Gray (The Bob Dylan Encyclopedia)

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@ #43 on my list of Dylan’s 200 best songs. It was originally recorded for “Oh Mercy” in 1989, but Dylan wasn’t satisfied with it… and left it. Michael Gray points out that it would have been a perfect opening track to the album… way better than “Political World”… only thing missing was an instrumental solo in the middle.

I will not mess with too many details around the songs recording history.. even Clinton Heylin calls Dignity’s recording history a bit… messy….

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Officially we now have 5 different versions available:

#	released	Album
1	1994	Bob Dylan’s Greatest Hits Volume 3 Brendan O’Brien remixed version
2	1995	MTV Unplugged Live version
3	2000	The Best of Bob Dylan, Vol. 2 Touched By An Angel version*
4	2008	The Bootleg Series Vol. 8 Piano demo version
5	2008	The Bootleg Series Vol. 8 Tell Tale Signs version2

* First released on the album “Touched By An Angel: The Album” – TV Series soundtrack compilation (1998)

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Bob Dylan, Bob Dylans's best songs

Bob Dylan’s best songs – Most Of The Time

March 11, 2015 Egil 5 Comments

Most of the time
I’m clear focused all around
Most of the time
I can keep both feet on the ground
I can follow the path, I can read the signs
Stay right with it when the road unwinds
I can handle whatever I stumble upon
I don’t even notice she’s gone
Most of the time
~Bob Dylan (“Most Of The Time”)

“I don’t know who I am most of the time. It doesn’t even matter to me.”
~Bob Dylan (David Gates interview Sept 1997)

“Most of The Time” is a “big song,” a major work, the sort of listening experience that brings people back to an album again and again.
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)

“Most Of The Time” is the most atmospheric track on the best Bob Dylan album of the 1980s.
~Nigel Williamson (The Rough Guide To BD)

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“Most Of The Time” is my fav song from “Oh Mercy”, and it’s the “Oh Mercy” version that’s @ 31 on my top 200 list. This is however not my fav studio version.. as you will see further down in this post.

I really love the lyrics & Bob’s vocal on this one…

Here is Andrew Mueller (The Guardian) from the documentary “Both Ends of The Rainbow”:

Most of the time
It’s well understood
Most of the time
I wouldn’t change it if I could
I can make it all match up, I can hold my own
I can deal with the situation right down to the bone
I can survive, I can endure
And I don’t even think about her
Most of the time
~Bob Dylan (“Most Of The Time”)

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Bob Dylan, Bob Dylan recording sessions

50 years ago: Bob Dylan – The first recording session for “Bringing It All Back Home”

January 13, 2015 Egil 5 Comments

I never wanted to write topical songs,…. Have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.
~Bob Dylan (Frances Taylor Interview, Aug. 1965)

50 years ago – 13 January 1965 – Bob Dylan entered Studio A, Columbia Recording Studios, NYC for the first of three seminal days in the studio… It was time to show the “real” Dylan on record.

Wikipedia:

Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal.

The album reached No. 6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.

bd-65-studio — Photo by Columbia Records photgrapher Don Hunstein

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Bob Dylan, Bob Dylans's best songs

Bob Dylan’s best songs – Tangled Up In Blue

November 1, 2014 Egil 6 Comments

A song that took me ten years to live and two years to write
~Bob Dylan

So that the story took place in the present and the past at the same time. When you look at a painting, you can see any part of it, or you see it altogether. I wanted that song to be like a painting.
~Bob Dylan

Joni Mitchell had an album out called Blue. And it affected me, I couldn’t get it out of my head. And it just stayed in my head and when I wrote that song I wondered, what’s that mean? And then I figured that it was just there, and I guess that’s what happened, y’know.
~Bob Dylan (to Craig McGregor, March 1978)

This masterpiece in number 3 on my list of Dylans 200 best songs. Listening to it almost never fails to put me in a state of flow.. time stops.. there is nothing except this beautiful piece of art occupying my attention.. best form of mindful meditation if you ask me.

It is the best song from one of his best albums: “Blood On The Tracks” (1975):

We allow our past to exist. Our credibility is based on our past. But deep in our soul we have no past. I don’t think we have a past anymore than we have a name. You can say we have a past if we have a future. Do we have a future? No. So how can our past exist if the future doesn’t exist?
~Bob Dylan (to Jonathan Cott, Dec 1977)

But we’re only dealing with the past in terms of being able to be healed by it. We can communicate only because we both agree that this is a glass and this is a bowl and that’s a candle and there’s a window here and there are lights out in the city. Now I might not agree with that. Turn this glass around and it’s something else. Now I’m hiding it in a napkin. Watch it now. Now you don’t even know it’s there. It’s the past… I don’t even deal with it. I don’t think seriously about the past, the present or the future. I’ve spent enough time thinking about these things and have gotten nowhere.
~Bob Dylan (to Jonathan Cott, Dec 1977)

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Bob Dylan, Bob Dylan books, Bob Dylan other

The DYLANOLOGISTS – a kind of review (part 1)

May 23, 2014 Egil

Intro

“The Dylanologists: Adventures in the Land of Bob” by David Kinney is a book I’ve been looking forward to reading for a while.

I’ve never written a review of a book before, but when offered a “review copy” a couple of weeks back I thought: “What the heck.. I’ll do it my way*, if I can get a kindle version (I’m a kindle-a-holic).”

So this is not a standard book review at all, rather a long article on the subject “Dylanologists” inspired by the book. I will refer to the book throughout the article, and pull together my thoughts at the end in the “Summary” section. It is indeed a great book, not only for Dylan fans. It is fun, informative & full of warmth for (most of) it’s characters. Highly recommended for anyone even remotely interested in Bob Dylan. My wife has assured me that she will read it (and she is not even close to being a Dylan fan).

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My confession

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