Category Archives: The Best Songs

The Best Songs: John The Revelator

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The Best Songs: John The Revelator

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John: Who bare record of the word of God, and of the testimony of Jesus Christ, and of all things that he saw. Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand.
– Revelation 1:1-3

John the Revelator is a traditional gospel blues call and response song.  Music critic Thomas Ward describes it as “one of the most powerful songs in all of pre-war acoustic music … [which] has been hugely influential to blues performers”. Blind Willie Johnson recorded John the Revelator in 1929 (or 1930) and is the first known recording (at least to me) and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music.

The song’s title refers to John of Patmos (or traditionally John the Apostle) in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.

This is a dark and brooding masterpiece!

The Blind Willie Johnson version:

Blind Willie Johnson recorded the song on April 20, 1929 (or 1930) in Atlanta (his second (1929) or his fifth and final recording session for Columbia Records (1930)). He is accompanied by his first wife (probably), Willie B. Harris. Johnson was a gospel blues singer and guitarist. While the lyrics of his songs were usually religious, his music drew from both sacred and blues traditions. It is characterized by his slide guitar accompaniment and tenor voice, and his frequent use of a lower-register ‘growl’ or false bass voice.

Blind Willie Johnson – John The Revelator:

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The Best Songs: St. James Infirmary blues

George E. Lee's Novelty Singing orchestra
George E. Lee’s Novelty Singing orchestra

“One place you’re going to find a lot of doctors is St. James Infirmary. This song’s history is convoluted and fascinating. Louis Armstrong recorded it as early as nineteen and twenty-eight, but it goes back much further. According to one study it got its start as a ballad called ‘The Unfortunate Rake’…”
– Bob Dylan (Theme Time Radio Hour, Doctors)

The Best Songs: St. James Infirmary blues

“St. James Infirmary Blues” is an American folksong of anonymous origin, though sometimes credited to the songwriter Joe Primrose (a pseudonym for Irving Mills). Louis Armstrong made it famous in his influential 1928 recording.

There are hundreds of recordings and it has been difficult to choose my favourites. I’ve tried to pick some for their historic significance and some just because they are so incredibly good.

“St. James Infirmary” is based on an 18th-century traditional English folk song called “The Unfortunate Rake” (also known as “The Unfortunate Lad” or “The Young Man Cut Down in His Prime”), about a soldier who uses his money on prostitutes, and then dies of a venereal disease.

My first pick is an a cappella version of The Unfortunate Rake done by  Ian McShane from the TV-series Deadwood (we can also clearly hear the melody that became Streets of Laredo):

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The Best Songs: Fixin’ To Die Blues by Bukka White aka Booker T Washington

Drawing by the incredible William Stout
Drawing by the incredible William Stout

The Best Songs: Fixin’ To Die Blues by Bukka White aka Booker T Washington

“Fixin’ to Die” is song by American blues musician Bukka White. It is performed in the Delta blues style with White’s vocal and guitar accompanied by washboard rhythm. White recorded it in Chicago on May 8, 1940, for record producer Lester Melrose. The song was written just days before, along with eleven others, at Melrose’s urging.

White was resuming his recording career, which had been interrupted by his incarceration for two and one-half years at the infamous Parchman Farm prison in Mississippi. While there, White witnessed the death of a friend and “got to wondering how a man feels when he dies”. His lyrics reflect his thoughts about his children and wife:

I’m looking funny in my eyes, an’ I b’lieve I’m fixin’ to die (2×)
I know I was born to die, but I hate to leave my children cryin’ …
So many nights at the fireside, how my children’s mother would cry (2×)
‘Cause I ain’t told their mother I had to say good-bye

Fixin To Die blues by Bukka White (1940 version):

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Bob Dylan – Top 200 songs

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Well, I just drifted into it, you know. I started singing, writing my own songs some place or somewhere. I always kinda written my own songs but I never really would play them. Nobody played their own songs; the only person that I ever heard do that was Woody Guthrie. And then one day I just wrote a song, and it was the first song I ever wrote that I performed in public was the song that I wrote to Woody Guthrie. And I just felt like playing it one night. And I played it.
~Bob Dylan (30 July 1984 – The Bert Kleinman Interview)

This is an ongoing series… I will fill in the holes as I create new posts…

1. Visions Of Johanna (Updated – 14.09.2018)
1. Like A Rolling Stone (Updated – 21.09.2018)
3. Tangled Up in Blue (Updated – 27.09.2018)
4. Ballad Of A Thin Man
5. Stuck Inside Of Mobile With The Memphis Blues Again
6. Blind Willie McTell (electric version)
7. It’s Alright, Ma (I’m Only Bleeding)
8. It’s All Over Now, Baby Blue
9. Desolation Row
10. Idiot Wind (New York version)
11. Every Grain Of Sand
12. Mr. Tambourine Man
13. Positively 4th Street
14. Subterranean Homesick Blues
15. Mississippi
16. A Hard Rain’s A-Gonna Fall
17. She’s Your Lover Now
18. Shelter From the Storm
19. Brownsville Girl
20. Just Like Tom Thumb’s Blues

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The Best Songs: Just a Closer Walk With Thee

Just a Closer Walk with Thee is a traditional gospel song that has been covered by many artists. Performed as either an instrumental or vocal, “A Closer Walk” is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals.

Rebirth Brass Band – A Closer Walk With Thee:

The ‘jazz funeral’ starts off sombre. On its way to the cemetery, the brass band plays soulful, sad funeral hymns called ‘dirges’,  it should be something that reminds mourners of life’s ups and downs. The slow tune lasts until the procession reaches its final destination, at which point they ‘cut the body loose’ – send the hearse off into the cemetery.

I really love this song and have “dug up” a few examples of great artists doing their version of this old tune.

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