Bob Dylan’s best songs: Dignity

bob dylan dignity

Of the virtues, I suppose I think integrity is the most essential. Not dignity – a thief can have dignity.
~Bob Dylan (to Barbara Kerr, Feb 1978)

‘Dignity’, which describes so resourcefully the yearning for a more dignified world, would have been the album’s [Oh Mercy] ideal opening track. It scorches along musically, declaring its allegiance to the timeless appeal of the blues, while sounding, above all things, fresh. Its lyric, meanwhile, though ‘Dylanesque’ in that it sounds like no-one else’s work and sounds like a restrained, mature revisit to a mode of writing you might otherwise call mid-1960s Dylan, is fully alert and freshly itself, admits of no leaning on laurels, and has the great virtue that while not every line can claim the workaday clarity of instructional prose, the song is accessible to anyone who cares to listen, and offers a clear theme, beautifully explored, with which anyone can readily identify.
~Michael Gray (The Bob Dylan Encyclopedia)


@ #43 on my list of Dylan’s 200 best songs. It was originally recorded for “Oh Mercy” in 1989, but Dylan wasn’t satisfied with it… and left it. Michael Gray points out that it would have been a perfect opening track to the album… way better than “Political World”… only thing missing was an instrumental solo in the middle.

I will not mess with too many details around the songs recording history.. even Clinton Heylin calls Dignity’s recording history a bit… messy….

Officially we now have 5 different versions available:

# released Album
1 1994 Bob Dylan’s Greatest Hits Volume 3
Brendan O’Brien remixed version
2 1995 MTV Unplugged
Live version
3 2000 The Best of Bob Dylan, Vol. 2
Touched By An Angel version*
4 2008 The Bootleg Series Vol. 8
Piano demo version
 5 2008 The Bootleg Series Vol. 8
Tell Tale Signs version2

* First released on the album “Touched By An Angel: The Album” – TV Series soundtrack compilation (1998)

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March 12 and 13: The Allman Brothers played Fillmore East in 1971

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March 12 and 13: The Allman Brothers played Fillmore East in 1971

Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971–March 13, 1971, the album showcased the band’s mixture of blues, southern rock, and jazz.
~Wikipedia

it remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy.
~Stephen Thomas Erlewine (allmusic.com)

“The true brilliance of this live recording is in the shorter pieces. The longer pieces (“Whipping Post,” “You Don’t Love Me,” and “Mountain Jam”) have their moments, but those moments are diluted in the self indulgent noodling typical of many 1970’s live performances. If The Allman Brothers Band: The Fillmore Concerts contained only “Statesboro Blues,” “Stormy Monday” and “One Way Out,” it would still have a place as one of the finest live recordings ever released.

“Statesboro Blues” and “One Way Out” have Duane Allman’s dense and precise slide guitar pitted against Richard Betts’ round lead guitar, with “One Way Out” providing Betts with his finest recorded guitar solo. “Stormy Monday” juxtaposes Allman and Bett’s distinct lead styles in an orgy of perfect blues phrasing. Gregg Allman’s jazzy organ interlude is an added delight.”
~C. Michael Bailey (allaboutjazz.com)

Statesboro Blues (+ Duane Allman tribute video)

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My favourite Bob Dylan bootleg 1966: Genuine Live 1966 (box set)

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My favourite Bob Dylan bootleg 1966: Genuine Live 1966 (box set)

Scorpio put out the 8 CD set entitled Genuine Live 66 in 2000 (following in their tradition of sticking titles to Sony music.)  It gives us a fantastic view into one of the best  (if not THE best) rock tours ever done.

The Bootlegs included in the box set are: 
“A Phoenix in April” – Sydney, Australia
“The Children’s Crusade” – Melbourne & Adelaide
“While The Establishment Burns” –  Dublin, Copenhagen, & Edinburgh
“A Nightly Ritual”– Liverpool, Glasgow, Sheffield, & Birmingham
“The Genuine RAH Concerts” Manchester & London
(In addition, some sets included two bonus discs of the Bristol show entitled Away From The Past)

The Bob Dylan World Tour 1966 was a concert tour from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker. Pennebaker’s footage was edited by Dylan and Howard Alk to produce a little-seen film, Eat the Document, an anarchic account of the tour. Drummer Mickey Jones also filmed the tour with an 8mmhome movie camera. Many of the 1966 tour concerts were recorded by Columbia Records. These recordings produced one official album, the so-called “Royal Albert Hall” concert, and also many unofficial bootleg recordings of the tour. This box set is the definitive audio documentation of this tour.

Highlights: Too many to single out, this is a true treasure chest!

Other entries in this series:

My Favourite Bob Dylan bootleg from 1962: The Freewheelin’ Bob Dylan Outtakes
My Favourite Bob Dylan bootleg from 1969: The Dylan / Cash Sessions
My Favourite Bob Dylan bootleg from 1973: The Pat Garrett sessions
My favourite Bob Dylan bootleg from 1983: Infidels outtakes (Rough cuts)
My favourite Bob Dylan bootleg from 1989: The Oh Mercy Outtakes
My favourite Bob Dylan bootleg from 1995: Prague 3 nights in March
My favourite Bob Dylan bootleg from 2011: Funen Village Denmark June 27
My Favourite Bob Dylan bootleg from 2012: The Day of Wine and Roses, Barolo, Italy July 16
My Favourite Bob Dylan bootleg from 2014: Gothenburg Sweden July 15

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March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

crosby stills nash young deja vu

March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

 

One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)

Almost Cut My Hair – Live Wembley 1974:

Continue reading March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

Bob Dylan’s best songs – Most Of The Time

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Most of the time
I’m clear focused all around
Most of the time
I can keep both feet on the ground
I can follow the path, I can read the signs
Stay right with it when the road unwinds
I can handle whatever I stumble upon
I don’t even notice she’s gone
Most of the time
~Bob Dylan (“Most Of The Time”)

“I don’t know who I am most of the time. It doesn’t even matter to me.”
~Bob Dylan (David Gates interview Sept 1997)

“Most of The Time” is a “big song,” a major work, the sort of listening experience that brings people back to an album again and again.
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)

“Most Of The Time” is the most atmospheric track on the best Bob Dylan album of the 1980s.
~Nigel Williamson (The Rough Guide To BD)

“Most Of The Time” is my fav song from “Oh Mercy”, and it’s the “Oh Mercy” version that’s @ 31 on my top 200 list. This is however not my fav studio version.. as you will see further down in this post.

I really love the lyrics & Bob’s vocal on this one…

Here is Andrew Mueller (The Guardian) from the documentary “Both Ends of The Rainbow”:

Most of the time
It’s well understood
Most of the time
I wouldn’t change it if I could
I can make it all match up, I can hold my own
I can deal with the situation right down to the bone
I can survive, I can endure
And I don’t even think about her
Most of the time
~Bob Dylan (“Most Of The Time”)

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