I hear it sometimes on the radio or a record player and I see that it’s badly mixed and it doesn’t sound very good, but what can you do? I’ve got, on Columbia Records alone, 21 or 22 albums out. So every time you make an album, you want it to be new, good and different, but personally, when you look back on them for me all my albums are, are just measuring points for wherever I was at a certain period of time. I went into the studio, recorded the songs as good as I could, and left. Basically, realistically, I’m a live performer and want to play onstage for the people and not make records that may sound really good.
~Bob Dylan (Lynn Allen interview, Dec 1978)
2012 is a year filled with many great album releases. Almost all “endyear lists” I’ve seen fails to include “Born To Sing, No Plan B”.. and that’s a shame. It might no be among the man’s best albums, but it’s still a fantastic album.
Solid band (as always), great vocal, good songs, interesting lyrics, jazzy, soulful, moody & and a brilliant trombone (Alistair White).
When you’re in need of some VM (as we all are sometimes), please check out this new album.. you will not be disappointed, I promise.
Reminds me of: a Van Morrison in excellent form
-Egil
Highlights:
Egil: Born To Sing, Open The Door, If in money we trust
Hallgeir: If in money we trust, Pagan Heart, Mystic of the east
Born to sing (Official video):
17. Dwight Yoakam – 3 Pears
It’s been seven years since Dwight Yoakam’s last gave us a proper release, 2005′s Blame the Vain. He’s done some acting, he’s done some producing, did some concerts and a tribute album to Buck Owens but he has been sorely missed.
Back on a major label one should think that Yoakam would sound mainstream country, not so at all. He has clearly listened to the new wave of the indie folk/country wave that is happening these last years. Beck is producing on a couple of tracks and Dwight Yoakam produces some tracks himself, they sound very new, almost like a new artist. He has not lost his pop sensibility and his ear for catchy tunes. That doesn’t mean that he has abandonded his honkey tonk roots, and he really let it comes out in a song like, Dim Lights, Thick smoke.
Dwight Yoakam sounds like a cross between The Monkees and Jerry Lee Lewis on A heart like mine!
Catchy, great tunes and still so goddam cool!
– Hallgeir
Highlights:
Egil: Take Hold Of My Heart, Trying, Dim Lights, Thick Smoke
Hallgeir: Rock it all away, Missing Heart, A heart like mine and Trying
18. Shovels and Rope – O’ Be Joyful
Shovels and Rope sounds like children of both punk and country, and their intimate debut has a brooding darkness throughout. The southern gothic is prominent, even the name hints at darkness. It excites me that country music can be so bold and so fresh. I say country music but it is just as much rock’n roll.
The couple (Cary Ann Hearst and Michael Trent) released a CD called Shovels And Rope, but this is the first release where they call their band Shovels and Rope. This mix of dark country and old time rock reminds me of Jack White and Loretta Lynn, the rhythm track is simple but the melodies are wonderful.
Dark and haunting contemporary country/rock music.
– Hallgeir
Highlights:
Egil: Birmingham, Lay Low, Shank Hill St.
Hallgeir: Birmingham, Hail Hail, Tickin’ Bomb and Shank Hill St.
19. I Was A King – You Love It Here
I Was A King has a fine mix of powerpop, guitar walls and great song writing. The guitars are “byrdsy” jangly and this time they flirt even more with the American side of indie-americana-pop. So you see, they’re kinda hard to describe. But they sound terrific!
IWAK has gotten together with two fantastic popmusic masters this time, Norman Blake (Teenage Fanclub vocalist, yes him!) and Robyn Hitchcock (Power-pop godfather, The Soft Boys member and solo artist extraordinaire), what a dream-team!
When i first read about it I really couldn’t believe it, it’s a match made in heaven.
The result of this collaboration is IWAK’s best album, a fully realised record with great songs. It sounds so big and it is full of air, but it’s not pretentious at all. They sound more mature and more pop. The Playing is better than ever and the songwriting is spectacular, I realy love this album (You guessed that, eh?) and it is a quintessential pop album. A love letter to music, no less.
Jangly, infectious and very, very good.
– Hallgeir
Highlights:
Egil: Frozen Disease, A Million Signs, Indiana
Hallgeir: A Million Signs, Food Wheels, Superhero and Leave
20. Kathleen Edwards – Voyageur
I really like break-up albums, I love Blood on the tracks, I love Springsteen’s Tunnel of Love and I love when Jackson Browne sing about his break-ups. Kathleen Edwards is now part of this rich tradition of soul wreching songwriters. Maybe not quite on their level, yet, but she is becoming a very good songwriter, and she is at the top of her game on this album.
But it is not all gloom, she sounds as she’s coping. Actually it sounds that she’s on her way up from the bleakness, the album is full of hope. The songs are really strong an Justin Vernon’s involvement has brought out unknown elements in Kathleen Edwards songs.
Spacious, hopeful and sad, in a good way.
– Hallgeir
Highlights:
Egil: Chameleon/Comedian, Change The Sheets, House Full of Emty Rooms,
Hallgeir: Chameleon/Comedian, House Full of Emty Rooms, Going To Hell
